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The Raney Legacy

Devoted to the music of Jimmy, Doug and Jon Raney

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  • Articles
  • Biography
    • Jimmy Raney
    • Doug Raney
    • Jon Raney
  • Transcriptions
  • Music
    • Rare Recordings
    • Tunes
  • The Jimmy Raney Book: Published!
  • Education/Clinics
    • On Scales and Improvisation
    • On Sight-Reading
    • On Picking and Phrasing
    • On Timing
    • On Displacement
  • Interviews
    • Bill Crow
    • Bob Brookmeyer
    • Jim Hall
    • Terry Gross/Fresh Air Interview
    • Guitar Magazine 1977
    • The Jazz Guitar Life
  • Everybody Digs Jimmy
  • Raney Gallery
  • Letters & Writing
    • Reviews/Clippings
  • Resources/Friends
    • Jamey Aebersold
    • Marvin Fourte
    • Glen Hodges
    • Tim Quinn
    • Jon Raney Keyboard Musings
  • Contact Me
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  • Jimmy Raney

    Happy Birthday Doug Raney 2025: The Son Also Rises.

    August 29, 2025

    It’s been over 9 years since Doug Raney left this world, which is still hard for me to fathom given he never even reached age 60. I probably have explored enough comparisons of Doug and Dad’s tragic personal struggles over the years, so this time I would like to focus on a less-explored topic, namely, how would I compare Doug to Jimmy generally? Personality Doug and Jimmy had strikingly different personalities. Where Dad had the air of a philosophic school teacher, often waxing on such brainy topics such as quantum mechanics or literary classics, Doug was more of a no-bullshit realist. Not that Doug wasn’t interested in some of the…

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    Jon Raney

    Related Posts

    Jimmy Raney Items

    Memories of The Legend, the Myth and the Man (Happy Birthday Jimmy Raney 2020)

    August 20, 2020

    Jimmy Raney’s “Evolving Sequence”: Is That Really a Thing?

    October 2, 2024

    Jazz Improvisation and the Big Picture Stuff

    November 9, 2024
  • Jimmy Raney's cats
    Jimmy Raney

    Blogging, Social Media & Connecting with old friends

    February 23, 2020

    As a seldom blogger, I have to sometimes question my tendency to attempt to create an opus each time I want to write. Of course, it’s understandable when sharing something public, to feel the weight of the higher standard. Editing, spell and grammar checking, researching etc. You should. But the problem is, setting such a high bar can make it impossible to post frequently enough to meet the general blogging practice standard. You need time to do this (which I don’t have a lot of) and the end result is to not doing anything at all. Which is sort of a shame. Because you tune out and so does everyone…

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    Jon Raney

    Related Posts

    Happy Birthday Jimmy Raney 2025: Playing Bebop is still harder than you think…

    August 20, 2025
    Jimmy Raney, 1981

    Happy Birthday Jimmy Raney (2024) – New Podcast & The Jimmy Raney Book

    August 20, 2024

    Jimmy Raney’s Ideal Rhythm Section

    March 5, 2011
  • Jimmy Raney

    Happy Birthday, Jimmy Raney 2019

    August 20, 2019

    I hate to be a broken record but…drop the needle back again… I still find it astounding how profoundly Jimmy Raney is underestimated historically. Save a few critics, notably Ira Gitler and Whitney Balliett, it seems like he’s largely expunged from jazz history. The other day I watched a jazz guitar history video by the noted guitar video blogger, Rick Beato. He has a ton of fun videos on rock and jazz fusion guitar with transcriptions and insightful commentary. So I was a bit stunned at his omission of my father from the list in his video, THE GUITAR 1929-1969 | THE PLAYERS YOU NEED TO KNOW which featured a…

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    Jon Raney

    Related Posts

    Unraveling the Raneys

    August 20, 2022

    Doug’s Path to Jazz

    August 29, 2022

    What would Jimmy Raney think of YouTube transcriptions? (Happy Birthday Dad 2023)

    August 20, 2023

Latest Blogs

  • Aug 29, 2025 Happy Birthday Doug Raney 2025: The Son Also Rises.
  • Aug 20, 2025 Happy Birthday Jimmy Raney 2025: Playing Bebop is still harder than you think…
  • Nov 09, 2024 Jazz Improvisation and the Big Picture Stuff
  • Oct 02, 2024 Jimmy Raney’s “Evolving Sequence”: Is That Really a Thing?
  • Aug 29, 2024 Doug Raney in the Age of Content Creation

STELLA BY STARLIGHT (“STRINGS AND SWINGS” 1967)

https://www.jonraney.com/wp-content/uploads/2014/08/08-Stella-By-Starlight-G.mp3

Jon Raney

Jon Raney
Bill Crow is 97 years young and still going strong. Bill and I had gotten to know each other in the 90's but we never really sat down and got into some of the finer details of his life and his relationship with my father, Guitarist, Jimmy Raney.

Bill met Dad first when they played together with vibraphonist Teddy Charles and from there Dad recommended Bill for Stan Getz’ band. Bill continued to play with Stan and Bob Brookmeyer. Brookmeyer, Hall and Dad became close friends. Bill went on to play with a famous trio with Marion McPartland then many years with Gerry Mulligan including on the famous film, Jazz on a Summer’s Day.

Bill is a bit of raconteur of jazz with an encyclopedic memory of all his experiences that he rattles like they happened yesterday. He writes a regular jazz column and is the author of 2 books, Jazz Anecdotes and from Birdland to Broadway. His website is https://www.billcrowbass.com
Bill Crow Interview
This is a demonstration of Jimmy Raney Book Chapter 3 and how you can use it to improve your playing
Jimmy Raney Book: Sequence & Development
To Get the Jimmy Raney Book visit
https://www.shermusic.com/

It's also available at Amazon
Jimmy Raney Displacement Demo
To buy The Jimmy Raney Book visit:
https://www.shermusic.com
Direct link to the book 
https://www.shermusic.com/9781883217853.php
Also available on Amazon
The Jimmy Raney Book: An Introduction
My interpretation of the Bill Evans classic. Still working on it! (For those of you who saw it before and commented my apologies for removing it! Had some issues and editing in any meaningful way is not really possible)
Keyboard Workshop: Very Early
In the spirit of "Workshop", I present this little unfinished woodshed ditty I was working a while back on Bill Evans' classic "Periscope".  So here's the thing, it's deceptively hard. Yes, it's in C but that's precisely the reason I find it hard. It's a "sea of C" so to speak and ALOT of repeated turnarounds on  II-V & III-VI. 

In other words, I find it easy to miss in C because they are similar white keys. At least with flats, you have some black key "guardrails".  And with the constantly repeated turnarounds, you have to find something interesting and different while maintaining consistency.  :)
Peri's Scope
I record for fun on my Yamaha P115 on some of my Fav Jazz Standards. 
This one is in the standard key of Eb. Was trying to press for some different elements: Changed harmony on the opening chord and some Bud Powell-like rising II-V chord substitutions in the middle. Enjoy!
Keyboard Workshop: Misty
I record for fun on my Yamaha P115 on some of my Fav Jazz Standards. 
This one is in the standard key of Eb. You might find some of my Shearing influences on this one.
Enjoy!
Keyboard Workshop: STAR EYES
I record for fun on my Yamaha P115 on some of my Fav Jazz Standards. 
On this one I tried to both choose an odd key and some more challenging harmonies. 
Enjoy!
Keyboard Workshop: My One and Only love
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